Read Nitsuh’s whole reply: it’s very good. This makes a lot of sense - that the reason I felt frustrated by my inability to detect the “strata of semiotic meaning” is because it doesn’t exist and the people talking the album up in that way are basically wrong.
Which leaves… what? Well, the references to Stereolab, Yo La Tengo, and the Aluminium Group help clear things up as well, in that I’m not fond of any of those bands either (a couple of Stereolab singles aside). So I can with a clear conscience file Destroyer in that category: groups who are intelligent, thoughtful, admirable builders of rich, unique sound-worlds, and whose albums I intend never to hear again in my life if I can possibly help it.
Just imagine how Tom would feel if he’d gone for one of the earlier records, which are like eating balsa wood.
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woodlandstx45 reblogged this from agrammar
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67seven52 reblogged this from tomewing and added:
Crotchety OLD MR. GRUFF...be cooler than NYC when he wants
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thediscography reblogged this from tomewing and added:
Just imagine how Tom would feel if he’d gone...earlier records, which
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themore reblogged this from agrammar and added:
I think an individual’s response to Kaputt, like any album,...highly personal,
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divingoffdocks said:
That’s how I feel about Bob Dylan. His voice bugs the fuck outta me. But I love Bejar’s voice. Weird how that works.
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agrammar reblogged this from tomewing and added:
Yeah, pretty much! Although...feel like I should register that one reason I’m...
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tomewing reblogged this from agrammar and added:
Read Nitsuh’s whole reply:...very good. This makes...reason...
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bmichael said:
bejar sounds like bob odenkirk doing a carnival barker
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tomewing posted this